“Life’s not worth a damn till you can say I am what I am.” – That’s the message I took away from last night’s performance of the Tony Award winning show for Best Revival, La Cage Aux Folles. And what a beautiful message it is. I took myself on a little impromptu date last night, and what better way to treat myself then to go to the place I love most: The Theatre: The acting, the dancing, the singing, the set designs, the stars, the glamour. All of it transports me back to the days when men in top hats and women in gowns would walk along Broadway and treat it like the night on the town it’s meant to be.
La Cage Aux Folles was a show I had to see before it was too late. The two main leads, Kelsey Grammar (Frasier, Cheers) and Douglas Hodge (Tony Award winner for his role as Albin in La Cage) are both leaving the show on February 13th, and I have heard so many wonderful things about both of their performances. I took the subway uptown to the TKTS booth where for the first time in my life, there was no line. Zero. I walked right up to the man behind the glass panel and asked for the cheapest ticket to La Cage. “Seventy-six dollars” was the man’s response. I asked if that was the cheapest they had and he answered politely enough that those were the only tickets left. I deliberated for a minute, but I had to put my credit card back in my wallet. While I understand that seventy-six dollars is a steal for Broadway, especially a show as wonderful as this, I only planned on spending between forty and fifty and couldn’t go higher.
I walked away from the booth disappointed for the first time in a while and considered heading into Sephora to spend my theatre dollars on makeup when I saw the Longacre theatre on 48th street lit up pink and black. I decided to go to the box office and see if they had a lottery for unsold tickets, after all a blizzard was looming. I waited in line behind the director of the show who was casually chatting about Harvey Feirstein and Jeffrey Tambor, the two men who will be replacing Hodge and Grammar – I love when I get to be within ear shot of people like this! When it was my turn, the kind ticket usher informed me that there was a student rush and tickets were still available. He asked if I had a student ID, a little suspiciously I might add (technically, I could still be in college!), and I showed him my Ohio State Id that has no expiration date – thank you OSU. I received a ticket for $36.50. I was ecstatic! My show dreams were going to come true!
The show was magnificent. Since I don’t want to spoil the fun, you can read a plot summary here. But I will share that the transvestites in the company have amazing acrobatic tricks up their sleeves (or should I say corsets ☺) – you will be impressed. Jumping into floor splits could not have been easy! The show focused on love, family and acceptance. I laughed so hard I cried and my heart melted and melted some more. Hodge and Grammar truly deserved all the accolades they have received. The two are superb, and played such a wonderful couple. You would have thought they had been together for twenty years the way they worked off of one another. Anyone who is in the area and has not seen this show yet, do so now. It may be my favorite show on Broadway.
La Cage Aux Folles also has the honor of giving me my best Broadway moment to date. I sat in a box seat on the side of the theatre, about twenty feet from the stage, and during the first act, five additional young people joined me. During intermission, they all decided to find “better” seats in the orchestra, but I was quite content. So there I was, all alone and a tad vulnerable I have to admit. During Douglas Hodge’s song, “The Best of Times,” he sat on the stage and sang to the audience. He took the hand of a viewer in the front row and serenaded him. Then as he paused, he looked up to my box where I was sitting with my hand placed on the railing watching him with such admiration. He waved to me and smiled. I waved back, smiling wider, and the entire audience in the orchestra seats turned to look at the lone person waving to Douglas Hodge. I was so thrilled, and 100% pleased to announce that since I took a risk and sat alone, that wave was meant only for me. So thank you Mr. Hodge for making my evening so magical.
My night ended with a little magic of another sort. A winter wonderland formed while we were inside the theatre. I have not been the biggest fan of the snow lately, but somehow last night, when footprints hadn’t soiled the sidewalks and cars were not racing through the streets, I looked up at the trees on my block covered in snow, slipped and slid to my apartment door, saw no one around but myself and thanked my lucky stars for being able to have such a wonderful night in New York. Below are a few pictures I took of Times Square and my block last night. 11pm and not a soul in sight.